Thalia Diva Forum
Welcome to Thalia Diva Fan Club!

Please Log in or Register!

Join the forum, it's quick and easy

Thalia Diva Forum
Welcome to Thalia Diva Fan Club!

Please Log in or Register!
Thalia Diva Forum
Would you like to react to this message? Create an account in a few clicks or log in to continue.
Thalia Diva Forum
Subscribe to Thalia Diva Youtube Channel https://www.youtube.com/user/thaliadivaGreekFC

You are not connected. Please login or register

The Magic Of Disney!

+3
olympiap1994
Promiscuous
IroGrecia
7 posters

Go to page : 1, 2, 3  Next

Go down  Message [Page 1 of 3]

10The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Fri Aug 07 2009, 08:05

Promiscuous

Promiscuous
TD Aventurero Member

The Magic Of Disney! - Page 1 Hercules_poster_1997

Ηρακλής - Πέρα Από Το Μύθο

H γεμάτη χιούμορ, κατορθώματα και ρομαντικές νότες 35η ταινία κινουμένων σχεδίων της Walt Disney, HΡΑΚΛΗΣ ΠΕΡΑ ΑΠΟ ΤΟΝ ΜΥΘΟ, οδηγεί τους φίλους των κινουμένων σχεδίων σέναν μυθικό κόσμο φαντασίας και γέλιου που έχει τις ρίζες της στην ελληνική μυθολογία και φτάνει την τέχνη των κινουμένων σχεδίων σε... Ολύμπια ύψη.

Ο γνωστός σε όλους ημίθεος Ηρακλής εφοδιασμένος με τη σούπερ δύναμή του, ξεκινά το μακρύ δρόμο περιπετειών για να αποδείξει την πραγματική του αξία στον πατέρα του, αλλά και πατέρα όλων των θεών, τον Δία. Μαζί, οι αχώριστοι φίλοι του Πήγασος, το φτερωτό άλογο και ο Φιλοκτήτης, που βρίσκονται πάντα στο πλευρό του βοηθώντας τον σε όλες τις δυσκολίες. Μαζί θα νικήσουν τον διαβολικό Άδη, που σχεδιάζει με δόλιο τρόπο να κατατροπώσει τον Ηρακλή για να καταλάβει το βουνό του Ολύμπου. Μέσα από μια μεγάλη πορεία προκλήσεων, ο νεαρός Ηρακλής θα μάθει ότι ο αληθινός ήρωας κρίνεται τελικά από το μέγεθος της καρδιάς του και όχι από το μέγεθος της δύναμής του.

Πρωταγωνιστούν: Ακούγονται οι φωνές των: Χριστόφορου Παπακαλιάτη, Λάκη Λαζόπουλου, Κωνσταντίνου Τζούμα, Αλέξη Σταυράκη, Διονύση Σχοινά, Ματθίλντης Μαγγίρα

Σκηνοθεσία: Τζον Μάσκερ, Ρον Κλέμεντς, Μάικλ Λάνγκ

11The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Fri Aug 07 2009, 08:35

Promiscuous

Promiscuous
TD Aventurero Member

The Magic Of Disney! - Page 1 Hercules-Phil1

The Magic Of Disney! - Page 1 Clippegherc

The Magic Of Disney! - Page 1 T9pU0Ux9Uk0a88e3CH5WShQZo1_400

The Magic Of Disney! - Page 1 Herccast

12The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Fri Aug 07 2009, 12:08

Promiscuous

Promiscuous
TD Aventurero Member

Evridiki thea. Poly mou aresei auto to tragoudi. Mou thimizei tis meres mou sth 3h dhmotikou. Twra pou to akouw h kardia mou einai les kai tha spasei...

13The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Fri Aug 07 2009, 20:53

IroGrecia


TD Aventurero Member

The Magic Of Disney! - Page 1 Beauty20beast20cover
Beauty and the Beast (1991 film)


Beauty and the Beast is a 1991 American animated feature produced by Walt Disney Feature Animation. It premiered at the El Capitan Theatre in Hollywood on November 13, 1991 and is the thirtieth film in the Walt Disney Animated Classic series. The film is based on the fairy tale of the same name about a beautiful woman kept in a castle by a horrific monster. It is the only full-length animated feature film to ever be nominated for an Academy Award for Best Picture. Heightening the level of performance in the era known as the Disney Renaissance (1989–1999, beginning with The Little Mermaid and ending with Tarzan), many animated films following its release have been influenced by its blending of traditional animation and computer generated imagery.

Beauty and the Beast ranked at #7 on the American Film Institute's list of best animated films, #22 on the Institutes's list of best musicals, and #34 on its list of the best romantic American movies. On the list of the greatest songs from American movies, Beauty and the Beast ranked #62. The film was adapted into a Broadway musical of the same name, which ran from 1994 to 2007.

In 2002, Beauty and the Beast was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant." In January of the same year, the film was reissued in IMAX format in a special edition edit including a new musical sequence, a two-disc Platinum Edition DVD release (featuring the original, the IMAX, and the workprint versions) followed in October. On February 12, 2010, the film will be re-released in the Disney Digital 3-D format, with a DVD / Blu-Ray re-release followed.[2]

The movie was adapted to an animation screenplay by Linda Woolverton, based upon the fairy tale La Belle et la Bête by Jeanne-Marie Le Prince de Beaumont (uncredited in the English version of the film, but credited in the French version as writer of the novel).[3] It was directed by Gary Trousdale and Kirk Wise, and the music was composed by Alan Menken and Howard Ashman, both of whom had written the music and songs for Disney's The Little Mermaid. It was a significant success at the box-office, with more than $145 million in domestic revenues alone and over $403 million in worldwide revenues.[4][5] This high number of sales made it the third-most successful movie of 1991, surpassed only by summer blockbusters Terminator 2: Judgment Day and Robin Hood: Prince of Thieves. It was also the most successful animated Disney film at the time and the first animated movie to reach $100 million at the domestic box-office.[6]

Beauty and the Beast won two Academy Awards for Best Music, Original Score and Best Music, Song for Alan Menken and Howard Ashman's "Beauty and the Beast", sung in the film's most famous scene by Angela Lansbury, and at the end of the film by Celine Dion and Peabo Bryson. Two other Menken and Ashman songs from the movie also nominated for Best Music, Song were "Belle" and "Be Our Guest", making it the first picture ever to receive three Academy Award nominations for Best Song, a feat that would be repeated by The Lion King, Dreamgirls, and Enchanted (Academy rules have since been changed that limit one film to two nominations in this category). Beauty and the Beast was also nominated for Best Sound and Best Picture. It is the only animated movie ever to be nominated for Best Picture. There are also Disney versions of the story published and sold as storybooks and a comic book based on the film published by Disney Comics. In 1995, a live-action children's series called Sing Me a Story with Belle started on syndication, running until 1999. On November 11, 1997, a midquel called Beauty and the Beast: The Enchanted Christmas was released directly to videocassette and to critical acclaim. It was quickly followed by another midquel titled Belle's Magical World that was released on February 17, 1998.

[edit] Production
The film was directed by Gary Trousdale and Kirk Wise. It was produced by Don Hahn, executive produced by Howard Ashman, and associated produced by Sarah McArthur. The screenplay was written by Linda Woolverton. Howard Ashman and Alan Menken wrote the film's songs. Its score was created by Alan Menken. The art director was Brian McEntee, and the film editor was John Carnochan. The artistic supervisors were Roger Allers (Story supervisor), Ed Ghertner (Layout supervisor), Lisa Keene (Background supervisor), Vera Lanpher (Clean-up supervisor), Randy Fullmer (Effects supervisor), and Jim Hillin (Computer Graphics supervisor). The supervising animators were James Baxter (Belle), Glen Keane (Beast), Andreas Deja (Gaston), Ruben A. Aquino (Maurice), Will Finn (Cogsworth), Nik Ranieri (Lumiere), David Pruiksma (Mrs Potts/Chip), Russ Edmonds (Philippe), Larry White (The Wolves), Chris Wahl (LeFou). The production manager was Baker Bloodworth.

A barnyard scene from the opening number of the film was actually first conceived during initial work on the unproduced feature Chanticleer.[10] Sequences were rewritten during the production of the film, even while some scenes were already being animated.[11] The character of Wardrobe (introduced by visual development person Sue C. Nichols to the then entirely male cast of servants) was originally a more integral character named Madame Armoire, but her role was later taken over and expanded by Mrs. Potts.[12] Stefan Kanfer writes in his book Serious Business that in this film "the tradition of the musical theater was fully co-opted", such as in the casting of Broadway performers Angela Lansbury and Jerry Orbach.[13] Robby Benson, who voices the Beast, said of his character, “There's a rage and torment in this character I've never been asked to use before.”[14]

Supposedly, Walt Disney had put Beauty and the Beast high on a list of fairy tales that he thought would not make good animated films.[15] Peter M. Nichols states that Disney considered it in the 1930s but may later have been discouraged by Cocteau having already done his version.[16] The film includes intentional homages to other films such as The Sound of Music (in a scene with Belle on a hilltop), and earlier Disney animated features.[17]

The film diverges several times from the original story written by Beaumont. In the original, the servants are simply rendered invisible. In the film, they are turned into animated household objects. Beauty's dreams, in which the Beast appears in his human form, are omitted from the film. In the film, the Beast was cursed as a punishment from his having no love in his heart. In the original, it was after he refused to marry a cruel fairy. Gaston was not in the original story; he was inspired by the character, Avenant, from the 1946 film version, who is also Belle's suitor who plots to kill the Beast so he can have Belle to himself. Beauty's sisters, the villains in the original story, are omitted from the film. The father was changed from a merchant to an inventor. The Beast dies of heartbreak in the original story, whereas in the film he is mortally wounded from stab wounds delivered by Gaston, but is revived when the curse is broken.


[edit] Music
Main article: Beauty and the Beast (soundtrack)
All songs were the last complete works for a movie by Academy Award winner Howard Ashman. Ashman died eight months prior to the release of the film. There is a tribute to him at the end of the film: "To our friend, Howard, who gave a mermaid her voice, and a beast his soul. We will be forever grateful. Howard Ashman 1950–1991". On Classic Disney: 60 Years of Musical Magic, this includes Beauty and the Beast on the red disc, Be Our Guest, Something There, and Gaston on the blue disc, The Mob Song on the green disc, and Belle on the orange disc.

And on Disney's Greatest Hits, this also includes Beauty and the Beast on the blue disc, Be Our Guest on the green disc, and Gaston on the red disc.

Beauty and the Beast has influenced the works of the symphonic metal band Nightwish. Keyboardist and composer Tuomas Holopainen cites "all the Disney classics" as among his favourite films,[18] and the song "Beauty and the Beast" from their debut album Angels Fall First is a reinterpretation of the movie's plot.


[edit] Awards and nominations
In June 2008, the American Film Institute revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. Beauty and the Beast was acknowledged as the 7th best film in the animation genre.[28][29] In previous lists, Beauty and the Beast also ranked #22 on the Institutes's list of best musicals and #34 on its list of the best romantic American movies. On the list of the greatest songs from American movies, Beauty and the Beast ranked #62.

Academy Awards
To date, Beauty and the Beast (1991) is the only animated film ever to be nominated for the Academy Award for Best Picture. This film currently shares the record for the most nominations for an animated film, six, with WALL-E (2008).

Award Recipient
Best Music, Original Score Alan Menken
Best Music, Original Song ("Beauty and the Beast") Alan Menken & Howard Ashman
Nominated:
Best Picture Don Hahn
Best Music, Original Song ("Belle") Alan Menken & Howard Ashman
Best Music, Original Song ("Be Our Guest") Alan Menken & Howard Ashman
Best Sound Terry Porter, Mel Metcalfe, David J. Hudson & Doc Kane

Golden Globes
Beauty and the Beast was the first animated feature to win a Golden Globe for Best Picture - Musical or Comedy. This feat was repeated by The Lion King and Toy Story 2.

Award Result
Best Motion Picture - Musical or Comedy Won
Best Original Score Won
Best Original Song (For "Beauty and the Beast") Won
Best Original Song (For "Be Our Guest") Nominated

Grammy Awards
Award Result
Best Album for Children Won
Best Pop Performance by a Group or Duo With Vocal (For Beauty and the Beast) Won
Song of the Year (For Beauty and the Beast) Nominated
Best Instrumental Composition Written for a Motion Picture Won
Best Song Written Specifically for a Motion Picture or for Television (For Beauty and the Beast) Won
Best Song (For Beauty and the Beast) Nominated

Other Awards
Award Result
ASCAP Film and Television Music Awards: Most Performed Songs in a Motion Picture Won
Academy of Science Fiction, Fantasy, and Horror Films: Best DVD Classic Film Release Won
Academy of Science Fiction, Fantasy, and Horror Films: Best Music Won
Annie Awards: Best Animated Feature Won
BAFTA Awards: Best Original Film Score Nominated
BAFTA Awards: Best Special Effects Nominated
BMI Film and TV Awards: BMI Film Music Award Won
DVD Exclusive Awards: Best Overall New Extra Features, Library Release Won
DVD Exclusive Awards: Best Menu Design Nominated
Hugo Awards: Best Dramatic Presentation Nominated
Kansas City Film Critics Circle Awards: Best Animated Feature Won
Los Angeles Film Critics Association Awards: Best Animation Won
Motion Picture Sound Editors: Best Sound Editing, Animated Feature Won
National Board of Review: Special Award for Animation Won
Satellite Awards: Best Youth DVD Nominated
Young Artist Awards: Outstanding Family Entertainment of the Year Won

14The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Fri Aug 07 2009, 21:03

IroGrecia


TD Aventurero Member

The Magic Of Disney! - Page 1 Beautyandbeast1024x768
The Magic Of Disney! - Page 1 Beautyandthebeastdisneyw
The Magic Of Disney! - Page 1 Beautyandthebeast6

15The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Fri Aug 07 2009, 22:21

olympiap1994

olympiap1994
TD Aventurero Member

tnx para polu iro mou!!!!


paramu8enio topic!!!!


ax ti mou 8umises twra..... I love you Wink

https://www.youtube.com/user/olympiagreece

16The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Fri Aug 07 2009, 22:54

kost@s

kost@s
TD Arrasando Member

The Magic Of Disney! - Page 1 818163 The Magic Of Disney! - Page 1 818163 kai stous 2 sas
pragmatika h disney einai korhfh

17The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 07:14

*D~A~D*

*D~A~D*
TD Aventurero Member

na vazete se oles links gia thn tainia Wink
kapia paidakia isws tis theloun Very Happy

http://WWW.THALIA.COM

18The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 07:42

IroGrecia


TD Aventurero Member

19The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 07:57

*D~A~D*

*D~A~D*
TD Aventurero Member

Lion king the most awesome Disney movie ever I love you The Magic Of Disney! - Page 1 39238 The Magic Of Disney! - Page 1 759361
The Magic Of Disney! - Page 1 818163 The Magic Of Disney! - Page 1 30351

http://WWW.THALIA.COM

20The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 08:02

IroGrecia


TD Aventurero Member

*D~A~D* wrote:Lion king the most awesome Disney movie ever I love you The Magic Of Disney! - Page 1 39238 The Magic Of Disney! - Page 1 759361
The Magic Of Disney! - Page 1 818163 The Magic Of Disney! - Page 1 30351

to kalitero einai ontos!!!!!apo ola!!!!einai t agapimeno m dn boroun na metrithoun oi fores p to exo dei!!ksaro kai tous dialogous apekso!!!..erxontai kai alla se ligo...


anameinate.....Coming soon!!! lol!

21The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 08:07

*D~A~D*

*D~A~D*
TD Aventurero Member

(Wx) The Magic Of Disney! - Page 1 68461
tin toun tan perikalw me thn regoula Razz

http://WWW.THALIA.COM

22The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 08:34

IroGrecia


TD Aventurero Member

The Magic Of Disney! - Page 1 P1cinderella

Cinderella is a 1950 American animated feature produced by Walt Disney and based on the fairy tale "Cendrillon" by Charles Perrault. Twelfth in the Walt Disney Animated Classics series, the film had a limited release on February 15, 1950 by RKO Radio Pictures. Directing credits go to Clyde Geronimi, Hamilton Luske and Wilfred Jackson. Songs were written by Mack David, Jerry Livingston, and Al Hoffman. Songs in the film include "A Dream Is a Wish Your Heart Makes", "Bibbidi-Bobbidi-Boo", "So This Is Love", "Sing Sweet Nightingale", "The Work Song", and "Cinderella."

The film received three Academy Award nominations for Best Sound, Original Music Score and Best Song for "Bibbidi-Bobbidi-Boo".


Production
Made on the cusp between the classic "golden age" Disney animations of the 1930s and 1940s and the less critically acclaimed productions of the 1950s, Cinderella is representative of both eras.

Cinderella was the first full-bodied feature produced by the studio since Bambi in 1942; World War II and low box office returns had forced Walt Disney to produce a series of inexpensive package films such as Make Mine Music and Fun and Fancy Free for the 1940s. Rotoscoping was used extensively to keep animation costs down. According to Laryn Dowel, one of the directing animators of the film, roughly 90% of the movie was done in live action model before animation, using basic sets as references for actors and animators alike. Both Helene Stanley (Cinderella's live action model) and Ilene Woods (Cinderella's voice actor, selected from 400 other candidates) heavily influenced Cinderellas' styling and mannerisms. Mike Douglas was the Prince's singing voice while William Phipps acted the part. Actress Helene Stanley was the live-action model for the title role and would be so again for Sleeping Beauty and Anita Radcliff in One Hundred and One Dalmatians.

In earlier drafts of the screenplay, the Prince originally played a larger role and had more character development than what he ultimately received in the final version of the film. In one abandoned opening, the Prince was shown hunting a deer, but at the end of the sequence, it was to be revealed that the Prince and the deer were actually friends playing a game. In an abandoned alternate ending, after the Duke discovered Cinderella's identity, she was shown being brought to the castle to be reintroduced to the Prince, who is surprised to learn that Cinderella was actually a modest servant girl instead of the princess he thought she was, but the Prince's feelings for her were too strong to be bothered by this and he embraced her; the Fairy Godmother was to reappear and restore Cinderella's ball gown for the closing shot. Walt Disney himself reportedly cut the alternate ending because he felt it was overlong and did not give the audience its "pay off".

Other deleted material included an abandoned song that was tentatively titled the "Cinderella Worksong", which was part of a fantasy sequence that was set to take place after Lady Tremaine told Cinderella that she could only attend the ball if she finished her chores and found a suitable dress. In this abandoned sequence, Cinderella imagined herself multiplying into an army of maids in order to deal with her massive workload, all the while pondering what the ball itself would be like; the sequence was cut, but the title was applied to the song the mice sing when they work on Cinderella's dress. Additionally, there was a scene that took place after the ball in which Cinderella was seen returning to her home and eavesdropped on her step family, who were ranting about the mystery girl at the ball, and Cinderella was shown to be amused by this because they were talking about her without realizing it. Walt Disney reportedly cut the scene because he thought it made Cinderella look "spiteful" and felt the audience would lose sympathy for her.

For the first time, Walt turned to Tin Pan Alley song writers to write the songs. The music of Tin Pan Alley would later become a recurring theme in Disney animation. Cinderella was the first Disney film to have its songs published and copyrighted by the newly created Walt Disney Music Company. Before movie soundtracks became marketable, movie songs had little residual value to the film studio that owned them and were often sold off to established music companies for sheet music publication.

"Bibbidi-Bobbidi-Boo" became a hit single four times, with notable versions by Perry Como and the Fontane Sisters. Ilene Woods beat exactly 309 girls for the part of Cinderella, after some demo recordings of her singing a few of the film's songs were presented to Walt Disney. However, she had no idea she was auditioning for the part until Disney contacted her; she initially made the recordings for a few friends who sent them to Disney without her knowledge. Reportedly, Disney thought Woods had the right "fairy tale" tone to her voice.

Interestingly, almost 30 years before "Cinderella" was made into a feature-length animated film, Walt Disney already made a short film of it as the last of the Laugh-O-Gram series, as a Roaring 20's version. This short is included as an extra on the Cinderella Platinum Edition DVD.


Music
"Cinderella" - The Jud Conlon Chorus
"A Dream Is a Wish Your Heart Makes" - Cinderella
"Oh, Sing Sweet Nightingale" - Drizella, Cinderella
"The Work Song" - The Mice
"Bibbidi-Bobbidi-Boo" - The Fairy Godmother
"So This Is Love" - Cinderella and Prince Charming
"So This Is Love (reprise)" - Cinderella
"A Dream Is a Wish Your Heart Makes (reprise)" - The Jud Conlon Chorus
On Classic Disney: 60 Years of Musical Magic, this includes "The Work Song" and "A Dream Is a Wish Your Heart Makes" on the first disc, "Bibbidi-Bobbidi-Boo" and "So This Is Love" on the second, and "Oh, Sing Sweet Nightingale" on the fourth. On Disney's Greatest Hits, "Bibbidi-Bobbidi-Boo" is included on the first volume and "A Dream Is a Wish Your Heart Makes" on the second.

Music by Paul J. Smith
Oliver Wallace
Editing by Donald Halliday
Studio The Walt Disney Company
Distributed by RKO Radio Pictures
Release date(s) March 4, 1950
Running time 72 minutes
Country United States
Language English
Budget $2.9 million
Followed by Cinderella II: Dreams Come True (2002)

23The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 08:43

IroGrecia


TD Aventurero Member

The Magic Of Disney! - Page 1 Cinderellapose
The Magic Of Disney! - Page 1 Cinderella4j
The Magic Of Disney! - Page 1 Disneycinderella
The Magic Of Disney! - Page 1 Cinderellawallpapercind
The Magic Of Disney! - Page 1 1045538073cinderella

24The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 08:48

IroGrecia


TD Aventurero Member



Last edited by Iro-Thaly on Sun Aug 09 2009, 18:42; edited 2 times in total

25The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 10:37

Promiscuous

Promiscuous
TD Aventurero Member

Η Μικρή Γοργόνα

The Magic Of Disney! - Page 1 Movie_poster_the_little_mermaid


The Little Mermaid is a 1989 American animated feature produced by Walt Disney Feature Animation and based on the Hans Christian Andersen fairy tale of the same name. Distributed by Walt Disney Pictures, the film was originally released to theaters on November 17, 1989 and is the twenty-eighth film in the Walt Disney Animated Classics series. During its initial release, The Little Mermaid grossed over $84 million in the United States and an additional $99 million internationally.

The film is given credit for breathing life back into the animated feature film genre after a string of critical or commercial failures that dated back to the early 1980s. It also marked the start of the era known as the Disney Renaissance.

A stage adaptation of the film with a book by Doug Wright and additional songs by Alan Menken and new lyricist Glenn Slater opened in Denver in July 2007 and began performances on Broadway.


Plot

Ariel, a sixteen-year-old mermaid princess, is dissatisfied with life under the sea and curious about the human world. With her best fish friend Flounder, Ariel collects human artifacts and goes to the surface of the ocean to visit Scuttle the seagull, who offers very inaccurate and comical knowledge of human culture. Ignoring the warnings of her father (King Triton) and court musician (Sebastian the crab) that contact between merpeople and humans is forbidden, Ariel still longs to be part of the human world; to this end she has filled a secret grotto with all the human artifacts she has found. ("Part of Your World") While Sebastian, who was assigned to watch over Ariel and be sure she does not visit the surface again tries to convince her that its better to live under the sea than in the human world ("Under the Sea")

One night, Ariel and Flounder travel to the ocean surface to watch a celebration for the birthday of Prince Eric, with whom Ariel falls in love. A sudden storm hits, during which everyone manages to escape in a lifeboat except for Eric who goes and rescues his dog Max, who was still trapped on the ship. He saves Max but almost drowns but is saved by Ariel, who drags him to the beach. She sings to him, but when he stirs awake he sees a vision. She dives underwater when Max comes to Eric. Eric has a vague impression that he was rescued by a girl with a beautiful voice; he vows to find her, and Ariel vows to find a way to join Eric. ("Part of Your World (reprise)")

Triton and his daughters notice a change in Ariel, who is openly lovesick. Triton questions Sebastian about Ariel's behavior, during which Sebastian accidentally reveals the incident with Eric. Triton furiously confronts Ariel in her grotto, using his trident to destroy her collection of human treasures. After Triton leaves, a pair of eels, Flotsam and Jetsam, convince a crying Ariel that she must visit Ursula the sea witch, who can supposedly make all her dreams come true.

Ursula makes a deal with Ariel to transform her into a human for three days ("Poor, Unfortunate Souls"). Within these three days, Ariel must receive the "kiss of true love" from Eric; otherwise, she will transform back into a mermaid on the third day and belong to Ursula. As payment for legs, Ariel has to give up her voice, which Ursula magically traps in a shell she wears as a locket. Ariel's tail is transformed into legs and Sebastian and Flounder drag her to the surface.

Eric and Max find Ariel on the beach. He initially suspects that she is the one who saved his life, but when he learns that she cannot speak, he discards that notion—to both the frustration of Ariel and Max (who knows the truth). He helps her to the palace, where the servants think she is as a survivor of a shipwreck. Ariel spends time with Eric, and at the end of the second day, they almost kiss ("Kiss the Girl") but are thwarted by Flotsam and Jetsam. Angered at their narrow escape, Ursula takes the disguise of a beautiful young woman named "Vanessa" and appears onshore singing with Ariel's voice. Eric recognizes the song, and in her disguise, Vanessa/Ursula casts a hypnotic spell of enchantment on Eric to make him forget about Ariel.

The next day, Ariel finds out that Eric will be married to the disguised Ursula on a ship. She cries and is left behind when the wedding barge departs. Scuttle discovers that Vanessa is Ursula in disguise, and informs Ariel. Ariel and Flounder chase the wedding barge, Sebastian informs Triton and Scuttle is assigned to literally "stall the wedding." With the help of various animals, the nautilus shell around Ursula's neck is broken, restoring Ariel's voice back to Ariel and breaking Ursula's enchantment over Eric. Realizing that Ariel was the girl who saved his life, Eric rushes to kiss her, but the sun sets and Ariel transforms back into a mermaid. Ursula reverts to her true form and she kidnaps Ariel.

Triton appears and confronts Ursula, but cannot destroy Ursula's contract with Ariel. Triton chooses to sacrifice himself for his daughter, and is transformed into a polyp. Ursula takes Triton's crown and trident, which was her plan from the beginning. Ursula uses her new power to gloat, forming a whirlpool that disturbs several shipwrecks, one of which Eric commandeers. Just as Ursula is set to use the trident to destroy Ariel, Eric turns the wheel hard to port, in effect ramming the ship's splintered bowsprit through Ursula's abdomen.

With Ursula gone, her power breaks and the polyps in Ursula's garden (including Triton) turn back into the old merpeople. Later, after seeing that Ariel really loves Eric and that Eric also saved him in the process, Triton willingly changes her from a mermaid into a human using his trident. She runs into Eric's arms, and the two finally kiss. Ariel marries Eric in a wedding where both humans and merpeople attend.

26The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 10:52

Promiscuous

Promiscuous
TD Aventurero Member

The Magic Of Disney! - Page 1 Ariel_mermaid

The Magic Of Disney! - Page 1 KingTriton

The Magic Of Disney! - Page 1 UrsulaTheLittleMermaid

The Magic Of Disney! - Page 1 Draft_lens2197571module11762698photo_1222580452eric-and-ariel

The Magic Of Disney! - Page 1 Little_mermaid

The Magic Of Disney! - Page 1 Little_mermaid_ver2%5B1%5D

28The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 15:40

sylver

sylver
TD Dance Member

MPRAVO PAIDIA YPEROXH DOULEIA PRAGMATIKA The Magic Of Disney! - Page 1 219185
GIA NA VAZOUME KAI KANENA DONALD,SKROUTZ,MICKY lol!

29The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 21:49

IroGrecia


TD Aventurero Member

sylver wrote:MPRAVO PAIDIA YPEROXH DOULEIA PRAGMATIKA The Magic Of Disney! - Page 1 219185
GIA NA VAZOUME KAI KANENA DONALD,SKROUTZ,MICKY lol!

min anisixeis thanoulh m ola me tin seira tha ta kanoume!!! teleia!!!ta exoume taktopoihsei ola pos tha boun!!

Anameinate!!!x0a0x

30The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 23:17

IroGrecia


TD Aventurero Member

The Magic Of Disney! - Page 1 Mulandvdcover


Mulan is a 1998 American animated feature film produced by Walt Disney Feature Animation, and released by Walt Disney Pictures on June 19, 1998. The thirty-sixth animated feature in the Walt Disney Animated Classics, and a part of the Disney Renaissance, the film is based on the Chinese legend of Hua Mulan,[2] and was the first of three produced primarily at the animation studio at Disney-MGM Studios in Orlando, Florida.[3] It was directed by Tony Bancroft and Barry Cook, with the story by Robert D. San Souci and Rita Hsiao, among others.

Reception

Critical reaction
Reception of Mulan was mostly positive, gathering a 87% fresh rating from Rotten Tomatoes.[9] Stephen Wong described the visuals as "stunning,"[10] Kyle Suggs described the visuals as "breathtaking,"[11] and Dan Jardine described the visuals as "magnificently animated."[12] Film critic Roger Ebert gave Mulan three and a half stars out of four in his written review. He said that "Mulan is an impressive achievement, with a story and treatment ranking with Beauty and the Beast and The Lion King". Negative reviews described it as a "disappointment." The songs are accused of not being memorable, and slowing down the pace of the movie.[13] Some reviewers suggest that the film is "soulless" in its portrayal of Asian society.[14]

Music by Jerry Goldsmith
Distributed by Walt Disney Pictures
Release date(s) June 19, 1998
Running time 90 minutes
Country United States
Language English, Mandarin
Budget $70,000,000[1]
Gross revenue $304,320,254
Followed by Mulan II (2005)

This movie was also the subject of comment from feminist critics. Mimi Nguyen says the film "pokes fun at the ultimately repressive gender roles that seek to make Mulan a domesticated creature."[15] Nadya Labi agrees, saying "there is a lyric in the film that gives the lie to the bravado of the entire girl-power movement." She pointed out that she needed to become a boy to do it. Kathleen Karlyn, an assistant professor of English at the University of Oregon, criticizes it suggesting "In order to even imagine female heroism, we're placing it in the realm of fantasy". Pam Coats, producer of Mulan, aimed to produce a character that exhibits both masculine and feminine influences, being both physically and mentally strong.[16]


Box office performance
Mulan's opening weekend box office figures were $22.8 million,[17] placing it as the second highest grossing movie that week to The X-Files.[18] It went on to make $120 million domestically and $304 million worldwide, placing it the second highest family film of the year, behind A Bug's Life, and the 7th highest of the year overall.[19] While Mulan outgrossed the two Disney films which preceded it, The Hunchback of Notre Dame and Hercules, its box office returns failed to match those of the Disney films of the early 1990s such as Beauty and the Beast, Aladdin, and The Lion King.[20] Top international releases include United Kingdom ($14.6 million) and France ($10.2 million).[21]


Awards
Mulan won many Annie Awards. The film itself won the award for Best Animated Theatrical theatres. Individual achievement awards were awarded to Pam Coats for producing; Barry Cook and Tony Bancroft for Directing; Rita Hsiao, Christopher Sanders, Phillip LaZebnick, Raymond Singer and Eugenia Bostwick-Singer in Writing; Chris Sanders for Storyboarding; Hans Bacher for Production Design; David Tidgwell for Effects Animation; Ming-Na for Voice Acting Mulan; Matthew Wilder, David Zippel and Jerry Goldsmith for music and Ruben A. Aquino for Character Animation. Tom Bancroft and Mark Henn were also nominated for Character Animation.[22] It was also nominated for an Academy Award for Original Music Score in 1998, but was beaten by Stephen Warbeck's score for Shakespeare in Love.[23] The music score also received significant praise. Jerry Goldsmith won the 1999 BMI Film Music Award and was nominated for a Golden Globe Award for Best Original Score in 1998. Matthew Wilder and David Zippel were also nominated for a Golden Globe Award for Best Original Song the same year for "Reflection". They were beaten by The Truman Show and "The Prayer" from Quest for Camelot respectively.[24]

Reception in China
Disney was keen to promote Mulan to the Chinese, hoping they might replicate their success with their 1994 film The Lion King, which was one of the country's highest-grossing Western films at that time. Disney also hoped it might smooth over relations with the Chinese government which had soured after the release of Kundun, a Disney-funded biography of the Dalai Lama that the Chinese government considered politically provocative.[25] China had threatened to curtail business negotiations with Disney over that film and, as the government only accepts 10 Western films per year to be shown in their country, Mulan's chances of being accepted were low.[26] Finally, after a year's delay, the Chinese government did allow the film a limited Chinese release, but only after the Chinese New Year, so as to ensure that local films dominated the more lucrative holiday market.[27][28] Kelly Chen, Coco Lee (Taiwan version) and Xu Qing (Mainland version) voiced Mulan in the Cantonese and Mandarin dubs of the film respectively, while Jackie Chan voiced Shang in all the three dubs.

Production
Mulan originally began as a short, straight-to-video film titled "China Doll" about an oppressed and miserable Chinese girl who is whisked away by a British Prince Charming to happiness in the West. Then Disney consultant and children's book writer Robert San Souci suggested making a movie of the Chinese poem, "The Song of Fa Mu Lan" and Disney combined the two separate projects.[4]

Development for Mulan began in 1994, after the production team sent a select group of artistic supervisors to China for three weeks to take photographs and drawings of local landmarks for inspiration; and to soak up local culture.[5] The filmmakers decided to change Mulan's character to make her more appealing and selfless[6] and turn the art style closer to Chinese painting, with watercolor and simpler design - opposed to the details of The Lion King and The Hunchback of Notre Dame.[7]

To create 2,000 Hun soldiers during the Huns' attack sequence, the production team developed a crowd simulation software called Attila. This software allows thousands of unique characters to move autonomously. A variant of the program called Dynasty was used in the final battle sequence to create a crowd of 3,000 in the Forbidden City. Pixar's photorealistic RenderMan was used to render the crowd. Another software developed for this movie was Faux Plane which was used to add depth to flat two-dimensional painting. Although developed late in production progress, Faux Plane was used in five shots, including the dramatic sequence which features the Great Wall of China, and the final battle sequence when Mulan runs to the Forbidden City. During the scene in which the Chinese are bowing to Mulan, the crowd is a panoramic film of real people bowing. It was edited into the animated foreground of the scene.[8]



Last edited by Iro-Thaly on Sat Aug 08 2009, 23:42; edited 1 time in total

31The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 23:21

IroGrecia


TD Aventurero Member

The Magic Of Disney! - Page 1 Draftlens1880847module9
The Magic Of Disney! - Page 1 Mulan2o
The Magic Of Disney! - Page 1 Mulan001
The Magic Of Disney! - Page 1 Mulan4
The Magic Of Disney! - Page 1 Mulan32
The Magic Of Disney! - Page 1 Mulan2

32The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sat Aug 08 2009, 23:38

IroGrecia


TD Aventurero Member

Edw einai ta link apo tin tainia me tin seira!!!

https://www.youtube.com/watch?v=dHfmV_DDxSA&feature=related

https://www.youtube.com/watch?v=uC0GdzPhiSg&feature=related

https://www.youtube.com/watch?v=zQxlusGFtVA&feature=related

https://www.youtube.com/watch?v=Q1AvGXXaAfY&feature=related

https://www.youtube.com/watch?v=Ez2WjSMvVPg&feature=related

https://www.youtube.com/watch?v=V-htmGn-2D4&feature=related

https://www.youtube.com/watch?v=-wKIFvtF_ik&feature=related

https://www.youtube.com/watch?v=7sGeIhuBWYI&feature=related

Einai mia apo tis agapimenes m tainies....exei apisteuth mousiki mias kai o Jerry Goldsmith einai o sintheths einai adiamfisvitito!!!o idios exei kanei kai tin moumia 1 2 kai apo paidika to Mystiko tou Nimh gia opion einai pio psagmenos tha to kserei....The secret of nimh sta agglika...o anthropos einai talento...apla foveros...


edw einai to video me to pio telio instrumental gia emena....dn iparxei pragmatika....kai sta agglika to reflection to leei i cristina aguilera!kai sta ellinika i despoina vandi!!

33The Magic Of Disney! - Page 1 Empty Re: The Magic Of Disney! Sun Aug 09 2009, 17:47

IroGrecia


TD Aventurero Member

The Magic Of Disney! - Page 1 Ladytramp

Lady and the Tramp is a 1955 American animated feature film produced by Walt Disney and released to theaters on June 22, 1955 by Buena Vista Distribution. The fifteenth animated feature in the Walt Disney Animated Classics series, it was the first animated feature filmed in the CinemaScope widescreen film process.[1] The story centers on a female American Cocker Spaniel named Lady who lives with a refined, upper middle-class family, and a male stray mutt called the Tramp.


Characters' development

The Tramp
In early script versions, the Tramp was first called Homer, then Rags and Bozo.[2] However in the finished film, the Tramp never calls himself a proper name, although most of the film's canine cast refer to him as "the Tramp." The Tramp has other names that are given to him by the families he weekly visits for food, such as Mike and Fritzi. However, he doesn't belong to a single family, so his name is never confirmed.[3]


Aunt Sarah
The character that eventually became Aunt Sarah was softened for the movie, in comparison with earlier treatments. In the film, she is a well-meaning busybody aunt (revealed to be the sister of Darling's mother in the Greene novelization) who adores her cats. Earlier drafts had Aunt Sarah appear more as a stereotypical meddling and overbearing mother-in-law.


Si & Am
Earlier versions of the storyline, drafted in 1943 during the war, had the two cats appear as a sinister pair, suggesting the yellow peril. They were originally named Nip and Tuck.[2] In Ward Greene's novelization, they tearfully express remorse over causing the Tramp's impending execution by hiding the rat's body as a joke, and then try to make amends, while in the film they do not partake of the climactic scene.


Jim Dear and Darling
In pre-production, Jim Dear was known as Jim Brown, and Darling was named Elizabeth. These were dropped to highlight Lady's point of view. In a very early version, published as a short story in a 1944 Disney children's anthology, Lady refers to them as "Mister'"and "Missis". To maintain a dog's perspective, Darling and Jim's faces are rarely shown. The background artists made models of the interiors of Jim Dear and Darling's house, and shot photos and film at a low perspective as reference to maintain a dog's view.[4]

The film's opening sequence, in which Darling unwraps a hat box on Christmas morning and finds Lady inside, is based upon an actual incident in Walt Disney's life when he presented his wife Lily with a Chow puppy as a gift in a hat box.[5]


Beaver
The Beaver in this film is similar to the character of Gopher in Winnie the Pooh and the Honey Tree, down to the speech pattern: a whistling noise when he makes the "S" sound. This voice was created by Stan Freberg, who has an extensive background in commercial and comedy recordings. On the Lady and the Tramp Platinum Edition DVD he demonstrates how the effect was done, and that a whistle was eventually used because it was difficult to maintain the effect.[4]


Rat
The rat, a somewhat comical character in some early sketches, became a great deal more frightening, due to the need to raise dramatic tension.


Production

Story
In 1937 legendary Disney story man Joe Grant[6] approached Walt Disney with some sketches he had made of his Springer Spaniel named Lady and some of her regular antics. Disney enjoyed the sketches and told Grant to put them together as a storyboard. When Grant returned with his boards, Disney was not pleased and the story was shelved.[7]

In 1943 Walt read in Cosmopolitan a short story written by Ward Greene, called Happy Dan, The Whistling Dog.[2] He was interested in the story and bought the rights to it.[8]

By 1949 Grant had left the studio,[6] but Disney story men were continually pulling Grant's original drawings and story off the shelf to retool.[7] Finally a solid story began taking shape in 1953[8], based on Grant's storyboards and Green's short story.[7] Greene later wrote a novelization of the film that was released two years before the film itself, at Walt Disney's insistence, so that audiences would be familiar with the story.[4] Grant didn't receive credit for any story work in the film, an issue that animation director Eric Goldberg hoped to rectify in the Lady and the Tramp Platinum Edition's behind-the-scenes vignette that explained Grant's role


Critical reception
Despite being an enormous success at the box office, the film was initially panned by many critics: one indicated that the dogs had "the dimensions of hippos," another that "the artists' work is below par".[16] However the film has since come to be regarded as a classic.

Lady and the Tramp was named number 95 out of the "100 Greatest Love Stories of All Time" by the American Film Institute in their A Hundred Years...A Hundred Passions special.[17]


Soundtrack
# Title Length
1. "Main Title (Bella Notte) / The Wag of a Dog's Tail"
2. "Peace on Earth (Silent Night)"
3. "It Has a Ribbon / Lady to Bed / A Few Mornings Later"
4. "Sunday / The Rat / Morning Paper"
5. "A New Blue Collar / Lady Talks To Jock & Trusty / It's Jim Dear"
6. "What a Day! / Breakfast at Tony's"
7. "Warning / Breakout / Snob Hill / A Wee Bairn"
8. "Countdown to B-Day"
9. "Baby's First Morning / What Is a Baby / La La Lu"
10. "Going Away / Aunt Sarah"
11. "The Siamese Cat Song / What's Going on Down There"
12. "The Muzzle / Wrong Side of the Tracks"
13. "You Poor Kid / He's Not My Dog"
14. "Through the Zoo / A Log Puller"
15. "Footloose and Collar-Free / A Night At The Restaurant / Bella Notte"
16. "It's Morning / Ever Chase Chickens / Caught"
17. "Home Sweet Home"
18. "The Pound"
19. "What a Dog / He's a Tramp"
20. "In the Doghouse / The Rat Returns / Falsely Accused / We've Got to Stop That Wagon / Trusty's Sacrifice"
21. "Watch the Birdie / Visitors"
22. "Finale (Peace on Earth)"


Music by Oliver Wallace
Editing by Don Halliday
Studio Walt Disney Pictures
Distributed by Buena Vista Distribution
Release date(s) June 22, 1955
Running time 75 minutes
Country United States
Language English
Budget $4 million
Gross revenue $93,602,326
Followed by Lady and the Tramp II: Scamp's Adventure

Sponsored content



Back to top  Message [Page 1 of 3]

Go to page : 1, 2, 3  Next

Permissions in this forum:
You cannot reply to topics in this forum